![]() Color grading can greatly impact the overall look and feel of a piece. Moving away from your camera’s auto settings also helps you gain control over your camera and encourages deliberate stylistic choices. For one thing, this cuts down on time spent in post. Our pals at stillmotion utilize the in-camera color and picture settings on their DSLRs whenever they shoot. But what if you could do all of that work - or at least get a head start on it - while shooting? With advanced software like Magic Bullet Looks and Blackmagic’s DaVinci Resolve, a great deal of emphasis has been placed on color correction and color grading in the post production workflow. It’s a common saying in the production world, and it may well be true in many cases, but whatever happened to getting it right the first time? ![]()
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